“Amelie still seeks solitude. She amuses herself with silly questions about the world below, such as “How many people are having an orgasm right now?”
This was my introduction to french movies. And it was smart, funny, memorable. It was lighthearted, witty, charming, absurd, ridiculous. It was each and every one of those.
Amelie Poulaine is a heroine apart from the rest. She takes pictures of bunny clouds and when she finds old letters on the floor of her apartment, she meddles, schemes and helps. When she sees the old man who wrote those letters happy by what she had secretly done, she promises herself to make everyone happy. And so Amelie becomes a secret matchmaker, a guardian angel, and an adorable meddler to the people in her life. Nobody knows this, save for that painter she has befriended. She delights in her meddlesome ways, she likes how she helps people.
She delights in this so much that when she sees a man who takes discarded photographs from a photo booth, she is intrigued. The second time she sees him she left behind a photo album. We know she’s smitten when she takes it. Amelie realizes this too, but she doesn’t quite know what to do about it. And we see how much she doesn’t know what to do with it during the rest of the movie.
Amelie is quirky, and we are offered an equally quirky love story. And it is quite unforgettable. Do you know the song ‘I Knew I Loved You Before I Met You’ by Savage Garden? I think this song fits the movie quite quite well.